Posts Tagged Back Half

State of the Writer: September 2013

Posted by DLThurston in Book 1, Great Hugo Read, State of the Writer on September 4, 2013

I’m a few days late, I know. I mentioned a month ago that I didn’t know what would happen to my posting schedule during my unemployment. The answer appears to be that it’s going to go down a little. Since we’re starting on a personal note, the job hunt is going well, but has not yet wrapped up. I’ve had some good interviews, hoping one results in an offer. Be a nice birthday present. Oddly, last time I was unemployed (coming out of college) I also landed a job right around my birthday.

Speaking of birthdays, today is my daughter’s first. It’s an oddly surreal feeling. It feels like it can’t have been that long, also feels like it’s been much longer. My daughter is a time p̴ar̷ad̸òx, apparently. But I still love her. Tonight’s plans involve putting a cupcake in front of her, and seeing what happens.

Alright, writing. I’ve tucked into my new generation ship novel project a little earlier than planned. I’m working my way through a few drafts of the first chapter, looking to get a tone I’m happy with and get some characterization going. After that I’m going to back out again and get some outlining done. Probably going to work similarly to Nickajack with outlining and writing happening at the same time, with the one only a few chapters ahead of the other. Right now the book is just over 1800 words long, but that represents several evenings of toiling on that first chapter to get it as good as I can. It’s not something I’d normally obsess over so much at the start of the book, but I do want to get it at least a little right.

In general I’m trying to find a little time each night to write. And there is a little more time in the evening with a one year old than there was with a six month or nine month old. Some nights will be Nickajack s͙͇͉̅ome nights will be Back Half.

Great Hugo Read: We’re back to the past read, picking up again in 1958 with Fritz Leiber’s The Big Time. It’s the last novel awarded a Hugo without a nomination stage. I’ve paired it up with Brian Aldiss’s novel Non-Stop, which beat The Big Time when, in 2007, the British Science Fiction Association selected their Best Novel of 1958. So it’s one novel that was thought better at the time, and one novel that was thought better with a half century’s hindsight. This is something I’ll end up talking about more in October when the Hugo Read looks at its first Retro Hugo winner.

Buying options for both books:

The Big Time by Fritz Leiber

I got a 1972 copy published by Ace, but that was before I realized The Big Time was originally published as Ace Double D-491. I bring this up not because of my love of Ace Doubles, but because it is paired with a collection of Leiber short stories from the same universe as The Big Time.

Non-Stop by Brian Aldiss

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Planning March

Posted by DLThurston in Editing, Short Stories on February 21, 2011

Without really thinking about what I’ve been doing, I suddenly find myself with either two or three short stories, each written for a specific anthology, and each with a deadline fast approaching.  I always like writing the best when it comes effortlessly, and so getting my head above water and finding out just how far I’ve swum is undeniably exhilarating.  But now comes the inescapable reality, the rip tide ready to pull me out to sea of an overextended metaphor that I shall now stop.

It’s getting damn close to editing time.

And editing time is going to be called “March”.

Right now my top priority is, and has to be, Vampires of Mars.  I can’t overlook the chance for my first pro-rate sale, especially a story that I’ve gotten very excited about now that I finally have a plot.  Of course, my first draft I lost that plot and ended up with 1600 words of ending that I’m going to have to do the old crumple-crumple-toss with, but I’ve got a full week before editing month begins to work out the last bits of the first draft.

Next on the docket is The Luchador, which got some very positive reactions from my favorite group of beta readers over at the Cat Vacuuming Society.  And they all wanted two things: a better title and more.  So in a way I’m glad this has the farthest deadline, since I probably need to increase its lenghth by 50-100%.  Fortunately I have a lot of headroom between myself and the anthology length limit.  It also has a new working title: The Face of the Serpent.  That’s not final.  I should probably get the word fire in there somewhere.  The Face of the Fire Serpent?  The title is a work in progress.

Then there’s a wild card called Back Half.  I stepped away from the story for two reasons, some exasperation with the anthology and some exasperation with the story.  It was hard for me to write, I was never as certain of the plot as I wanted to be, and I didn’t really like the way I brought it all to a close.  However, a rather gracious reply by the editors of the anthology to my less than glowing post about walking away has me potentially considering a revisit.  However, I’m considering it the lowest of the three priorities, even though it has the second nearest deadline.  If I can get the other two stories to a point that I like them and still have time to clean up Back Half before April 7, I’ll give it a go.  Otherwise it’s going to stay where it is, in my own private production hell.

All in all, it’s a great place to be.  Especially given my New Years Resolution of writing six anthology-specific stories.  Three are in rough draft, and it’s only February.  Writing is awesome.

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Abandoning Ship

Posted by DLThurston in Business of Writing, Contests, Short Stories on February 3, 2011

This image is overdramatic for the content of this post.

I was originally going to call this post something along the lines of “how not to run an anthology,” but that feels like something I throw around a bit too much without having any actual standing.  In the end it’s more about how not to approach an anthology, and how a story can die.

For a few weeks I’ve mentioned the Primogeniture anthology.  It was an interesting concept for an anthology, looking at life for the average resident on board a generation ship that was just far enough out from earth that people are starting to realize that this shit is real.  It couldn’t have aliens.  Your character couldn’t be the captain.  Or even someone that talks to the captain.  It was entirely the day to day life in such a circumstance (yes, this ties nicely with my mundane in the alien post).  When it was posted originally, there were very few additional details.  The ship was named the Primogeniture.  It had a captain and first officer.  It launched in 2111 and the stories were supposed to take place in the first few years of a 400 year trip.  The ship had 5000 people with an expectation of 10,000 upon arrival.

So I came up with a story about stowaways on the ship, and the implications when they’re discovered by a member of the maintenance crew.  It was, I felt, right on the edge of what they might consider for the anthology, but with so few rules to play with I went for a wide berth.  It is perhaps my own mistake that I didn’t contact the editors of the anthology before forging ahead with the idea.

What happened instead was I went ahead with the story.  Then when I realized I needed to name drop the captain, I went back to the anthology call for submissions to discover the rules had changed.  There was now a wider band of story lengths allowed, the stories could now be at any point in the 400 year trip, and there were more data points about how the ship operated, including dimensions and dispute resolution rules.  None of these was in direct contradiction to my story, so I shrugged my shoulders and pressed on.  Should I have written?  Yes.

Well, this week I went to the site again, and found there were now more rules about ship life.  Including, apparently, rather strict rules about birth control that include mandatory vasectomies, birth licenses, and strict birth limits.  I now no longer feel like my story can work within the rules as presented.  And…well, the rules have also now gotten self contradictory, as there is now a two-children-per-couple rule that doesn’t mesh with the anticipation of doubling population in 400 years.

So I do have my frustrations with the process, especially with the way the rules kept changing as the anthology went along.  I was worried from the beginning that submitters were expected to read the minds of the editors, less they break a ship rule that they didn’t know about.  Or, at least, write in and verify stuff.  And that is a lesson learned for me in all of this.  But it also just rubs me the wrong way how the goalposts for the anthology kept changing, and in some fairly major ways as the word count range and allowed settings both changed quite drastically after the original story call.

So could the editors have approached this anthology better?  Yes.  Could I have approached writing my story better?  Yes.  These are the kinds of lessons that must be learned by an aspiring writer, I suppose.

In the end, I’m forced to walk away from the story as a submission for the anthology, and may in the future rework it to remove the Primogeniture name from the ship and submit it somewhere that I can define the rules of the ship.  Might even work it into a novel length plot or a screenplay.  But for now I need to let it be.  It is a completed rough draft, and thus it will probably stay for awhile as I shift my attention towards Bad-Ass Faeries and the Mammoth Book of Steampunk.

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State of the Writer: February 2011

Posted by DLThurston in Capsule, Contests, End of the Line, Fortnightcaps, Short Stories, State of the Writer on February 1, 2011

People tend to like to really look at themselves at the beginning of every year, making resolutions and the like.  As part of pushing myself to be in more direct touch with my writing, I’m going to start these state of the writer posts every month.  I make them public largely just to make myself do them.  You hear me, five people that Google Analytics says visited my site yesterday, I need to be kept honest.

Novels in Progress:

  • Capsule.
  • End of the Line.

Short Stories in Progress:

  • Back Half.  For the Primogeniture anthology.  Rough draft completed.  Due date April 7th.
  • The Luchador.  For Bad-Ass Faeries 4.  Proposal accepted, and rough draft in progress.  Due date June 2011.

Short Stories Sold:

  • The Rustler.  Woot.

Short Stories Out:

  • Sleep

Short Stories Doing Nothing.  Bad Writer.

  • !Div0
  • Queen of Belmeth

I’ve been falling down on my goal of keeping a certain number of stories circulating at any one time.  In part this is because I lucked out and sold one of my main circulators, but also in part because I’ve been falling down on Duotroping.  On the other hand, my goal of 6 stories written for specific anthologies is doing well, as I’ve got two in progress, even if I’m starting to back off on the notion of sending one to its intended destination.  I’ve been frustrated about the way Primogeniture keeps adding details to the ship, which is really reinforcing my initial fear that submitters had to somehow correctly guess how the editors always planned the ship to operate.  However, it’s still a fun generation ship story that I might clean up and send to anthologies that don’t have nearly so many rules about how a generation ship should work.  I’ll probably give one more try, but if the goalposts move again and make it even harder to tell my story on their ship, then I’ll have to go on my own.

I haven’t forgotten Capsule.  I’ve actually been doing a lot of mental outlining that needs to turn into physical outlining to get me from where I am to where I know this act ends.  There’s a few key scenes, I just need to make sure there’s no more.

People who’ve known my writing for awhile will notice an old favorite on my Novels In Progress list: End of the Line.  I feel like something needs to happen fast with it, since the whole conceit of the story is based around the five lines of what will soon be a six-line DC Metro system.  I’ve had multiple suggestions made, from ignoring the sixth line to inventing a sixth horseman of the apocalypse (I feel like adding a fifth is about the most I can do to stretch that particular concept), to setting the novel in a given pre-Silver Line year.  None of them strikes me as all that fulfilling of an option, with the third the most appealing of an unappealing lot.  So I think instead I’m going to push to get something done with it, even if it ends up on Smashwords (my emergency fallback point to be sure).

I’ve been happy with the first two installments of the Fortnightcap project.  It’s going to keep going for now.

In all, I’m satisfied but not thrilled.  I’m certainly ramping back up from my lost 2010.  I’d probably be doing better if Altair and Ezio didn’t need nearly so much help assassinating people.

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The Cloud Giveth…

Posted by DLThurston in Unleaded Crosspost on December 17, 2010

Over on Unleaded this week I wrote a post about backing up ones writing, redundant backups, and even included that amorphous concept of “The Cloud” as a backup source.  This is the new concept that some companies, including Microsoft and Google, are trying to push that you can store your files online where things can be redundantly backed up by the massive servers of multi-million dollar corporations, not only protecting them against the potential issues of physical media but also making them available everywhere.  It seems like such a fantastic concept.  Just yesterday I started writing Back Half, and because I did it in Google Docs I was able to pick up right where I left off when I got home without any transition or mailing of files.  It’s great.

However, there’s one problem.

It’s been announced that Yahoo is planning on cutting its cloud bookmark service Delicious.

Perhaps this isn’t too much of a surprise, as Yahoo has been scrambling for money and relevancy ever since the ascension of Google.  And there are several tutorials running now online about how to pull your information out of Delicious.  But it drives home that these Cloud computing endeavors are ultimately run by corporations, and corporations decide all the time to change focus or to shut their doors.  Now, does that mean that Google Docs is in any danger of closing tomorrow?  Absolutely not.  In fact, most companies like Google or Yahoo are very good about nice long twilight periods for their online services.  The shut down of Google Wave was announced roughly three months in advance.  But these are the big boys and companies that care about reputations going forward.

A little due diligence never killed anyone.  When it comes to any form of online backup (whether hard drive backup or Cloud redundancy) know who you’re dealing with and make sure to ask yourself what happens if the service or entire company shuts down.  Just as I would never want an important file to exist only on my laptop’s hard drive, I also wouldn’t want my only copy to be available from a single Cloud computing provider.  Is this paranoia?  Perhaps.  Is that a bad thing in the end?  I contend no.

In the end, as most advice does, it comes down to common sense.  A well established company is going to be a safer bet than one who went into business yesterday.  That’s true in almost any venture, but especially true online.  So back up your files, just be aware of who you’re backing them up with.

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