Archive for category Uncategorized

Cookie Swap: Mocha Brandy Balls

I wish I’d thought of this earlier and assembled a cookie swap among the writing bloggers, but I’ll do it just for myself this year and perhaps see about expanding it next year.  Below is my mom’s recipe for mocha brandy balls, with some modifications I’ve made through trial and error.  I’m sure she got the recipe from somewhere, but I don’t know where to credit it.

Mocha Brandy Balls:

  • 2 tsp instant coffee
  • 6oz semi-sweet chocolate
  • 1 ⅓ cup crushed chocolate wafers
  • 1 c pecans, toasted and chopped
  • 3 Tbsp corn syrup
  • 2 Tbsp brandy
  • 2 ½ + ½ cups powdered sugar
  • ⅓ cup water

Dissolve coffee in ⅓ cup of boiling water.  Allow to cool.  Melt chocolate over low heat in saucepan or double boiler, stirring frequently.  Remove chocolate from heat.  Add wafer crumbs, nuts, syrup, brandy, coffee, and 2 ½ cups of powdered sugar.  Chill until workable.  Roll into balls and dust with remaining sugar.  Put each ball into its own paper cup.  Store in an airtight container.  Makes several dozen, depending on size of balls.

Notes:  Chocolate wafer cookies are a real thing, I’ve found them in most larger grocery stores on the cookie and cracker aisle.  They’re in a long yellow package, and there are exactly 5 to the ⅓ cup, making measurement easy.  If you absolutely can’t find them, I’ve successfully substituted chocolate teddy grahams, or chocolate cat cookies from Trader Joe’s.  If the dough is too firm to work, microwave it for 30 seconds at a time, just to make it pliable.  I find these get better as they sit, and typically make them 4-5 days in advance of whatever party I’m bringing them to.

My own recipe (same instructions, modified ingredients bolded):

  • 2 tsp instant coffee
  • 6oz unsweetened chocolate
  • 1 ⅓ cup crushed chocolate wafers
  • 1 c pecans, toasted and chopped
  • 3 Tbsp corn syrup
  • 2 Tbsp spiced rum or chocolate liquor
  • 2 ½ + ½ cups powdered sugar
  • ⅓ cup water

I find often find the recipe is a little too sweet, even with just semisweet chocolate.  The unsweetened (not bittersweet) cuts the massive amounts of sugar nicely.  The spiced rum can add a brighter flavor to the recipe, or the chocolate liquor obviously makes the recipe that much more chocolaty.

No Comments

One-Off Flash Fiction

There are a lot of flash fiction contests out there, which is why I don’t run one.  But a lot of these contests are taking next week off, so I will run one.  Once.  It will be the One-Off Flash Fiction Contest.  It will be rules light, because that’s what I do.  I’ll put up a prompt at noon eastern on Wednesday the 28th, deadline at 8pm, winner announced the next morning.  The prize: getting to call yourself the one and only winner ever of the One-Off Flash Fiction Contest.  No one else will ever win because it won’t ever happen again, so no one can ever take that away from you.

Help spread the news on Twitter with the hashtag #OneOffFlash, and join us here on Wednesday for some writing fun.

1 Comment

Memory Eater!

I mentioned a few weeks ago that a short listed story was picked up for an anthology.  I’ve now gotten a green light to reveal more details.

The anthology is called The Memory Eater.  I can’t give any kind of release date information as the editor is still shopping the anthology to several publishers.  Though I’m sure he wouldn’t say so himself, the anthology reminds me very much of the Death Machine anthologies, in that it starts with a piece of magic tech and asks all stories to branch off from there, exploring either direct or indirect consequences.  Each story will be accompanied by a piece of original art, again keeping with the Death Machine similarities, and the full slate of selected artists can be found here.  I have some favorites, but just the fact that my story will get an illustration excites the hell out of me.

The prompt:

“Have a cheating ex you can’t stop thinking about?  How about a past failure which now defines you?  Do you wish you could forget about the time you walked in on your parents making your brother or sister?

“Yes?  Well then today’s your lucky day.  Introducing the brand new Memory Eater—an orb-like device that fits neatly around your head like a diver’s helmet with the ability to locate and destroy any memory in the human mind.

“Victims of rape no longer need to fear dating.  Drunk drivers don’t have to regret getting back on the road.  And for those who have lost loved ones, you no longer need to mourn.

“Today is a new day.  Today is your day.  Start it off by deleting the past so you can save your future.”

My story is called Home Again.

We’re just starting down the road towards publication, so it may be a few weeks or months until I can give any more details.  Right now all authors have been asked for a manuscript formatted version of their stories so the editing process can begin.  Needless to say, I’m damn excited about this anthology, I love the theme, and I love the enthusiasm that the editor is putting into it.

Details as they develop!

Edit:  I don’t have a full list of my fellow writers yet, but I’ve been able to track down two by tweeting back and forth with them after we got the green light to go public.  I’ll be maintaining a Twitter list as I find people.

2 Comments

$49

Acceptable uses for $49.

  • 98 tries at that Angry Bird in the claw machine.
  • Nearly year supply of McChicken sandwiches.
  • 196 consecutive plays of Inna Godda Da Vida on the juke box
  • 490 Atomic Fireballs
  • Short fire to thaw your fingers on a cold night trapped outside and alone
  • 24 bottles of Two Buck Chuck…with change back!
  • 2GB iPod shuffle
  • Nearly 38 songs from the iTunes store
  • Cashed out in pennies and used as a 27 pound dumbbell
  • Cashed out in nickles and stacked to 6’3″ to prove that’s how tall I am
  • Cashed out in dollar coins to…really annoy the bank

Unacceptable uses for $49

  • Paying someone to stalk a world renowned author under the auspices that she’ll actually read your book and give you commentary on it.

I suppose what depresses me more about things like that is not that someone offered the “service” it’s that anyone might have actually paid for it.  Be smart, there’s a lot of companies out there that are more than happy to separate you from your money while selling you dreams, and that doesn’t just mean in the vanity publishing world.

No Comments

Duotrope Finds

Normally I do these over on Unleaded, but today I’m doing them here, because I already have something I want to talk about over there this week.  Anyone who has looked at my deadlines tracker over on the right hand side of this blog will notice it’s getting precariously empty, so let’s fill it back up again.

Dark Tales of Lost Civilizations: This one intrigues the hell out of me.  Anthology is looking for “Horror, Speculative Fiction, and to a lesser degree Science Fiction, relating to civilizations that are lost, or have been forgotten, or have been rediscovered, or perhaps merely spoken about in great and fearful whispers.”  The first provided example is Atlantis which, in my mind, means don’t do Atlantis unless you have something to set you apart from everyone else who will.  I’ve got my culture picked, one that I’ve wanted to write a horror story about since I first read about it.  But I’m not telling you, not yet at least, because I want the concepts all to my greedy self.  Length: 2000-7000.  Payment: Penny/Word.  Deadline: October 31st.

Flush Fiction Anthology:  We’ve all seen the Uncle John’s Bathroom Reader series hanging out in the humor section of the book store, right?  Sounds like they’re branching out a little, looking to put together a cross-genre, humor-optional flash fiction anthology.  It’s the rare beast among anthologies right now: one requiring submissions printed and sent through something called “The Mail.”  I’ll have to figure out what that is if I decide to submit.  Might bulk and polish a Fortnightcap for that one.  Length: <1000.  Payment: $50/flat (pro rate). Deadline: August 31st.

Benevolent Apocalypse:  It’s the end of the world as we know it.  Or it was, a few years ago, and now humanity is moving on because what people do is survive.  Benevolent Apocalypse is looking for answers to the question “What happens when people keep calm and carry on?”  Lots of stories focus on the end, these are stories about a new beginning.  Which has such a hopeful ring to it, especially since they specifically don’t want “Solitary, angry, lonely, desperate, fearful figures in a bleak or desolate landscape.”  Length: 1000-6000.  Payment: $20/flat.  Deadline: August 31st.

I usually do three, but I feel like if I mention Benevolent Apocalypse, I should also mention:

Apocalypse Hope: Similar deal.  In fact, I wonder how many crossover submissions there will be between the two anthologies.  Please note that while Benevolent does say, Hope specifically does say no simultaneous submissions.  In their words, “The stories must in some way address the idea that after the apocalypse (whatever and wherever in your universe that might be), there is a future for the peoples who survive it.”  Length: 2000-8000.  Payment: AUS$50/flat.  Deadline: September 30th.

1 Comment

A Writer Reviews: Thor

Recently I read Blake Snyder’s classic screenwriting instruction manual Save The Cat.  The book is perhaps best known for introducing the Blake Snyder Beat Sheet, or BSBS for short, a formulaic approach to writing screenplays that can be used to analyze the seemingly most unformulaic of movies.  Even Eternal Sunshine of the Spotless Mind is given a Beat Sheet breakdown in the sequel Save The Cat Goes to the Movies.  These books have been revitalizing my interest in screenwriting, and I’ve been trying to get into the right mindset for going through the Beat Sheet.  However, it takes a lot of concentrating on a movie, which is something I’m not very good at.  Oh, I’ll catch all the plot elements and am usually not the person wandering out blinking into the sun asking what a character’s motivation was.  No, when I mean concentrating on a movie, I mean being able to break it down to base elements, run it through the beat sheet, and start recognizing where the act breaks are, where the midpoint is.  I have to see a movie several times so that I can turn off the part of my brain attempting to be entertained and turn on the part that can look at plot.

And therein lies the problem with Thor.  I went to see it over the weekend, and was able to start Beat Sheeting the movie, especially using two of Blake Snyder’s favorites the “Whiff of Death” moment and the “Break Into Three”.  There was something that was simply failing to engage me about the movie.

And it all started to come back to writing, and the fact that there are some universals when it comes to writing, whether it be for the page or for the screen.  The first and foremost of these is “show, don’t tell.”  Throughout the movie we are constantly being told what a brilliant scientist Natalie Portman’s character is.  But that’s really it.  We’re being told this without there being any moment in the movie where her knowledge is called on to solve a problem.  She is allowed absolutely no chance to participate in the story other than being Thor’s chauffeur and love interest.  This is, mind, the biggest name actor that the movie had going for it, and the clear number two character in the work, but she’s not given anything to actually work with to prove that she earned that Oscar she won a few years ago.  Now I’m not going to say that Oscar winners are never allowed to do fluff pieces after bringing home their trophies, but it’s a clear disappointment when an actress recognized for her talent is given such a one dimensional character.  And all because we’re only told she is such a great scientist without ever being shown it.

Character development.  Characters have to grow and change over the course of any narrative.  Hopefully all of them, but at the very least the protagonist.  And this is not one of the failings of Thor.  Through the movie Thor transitions from being a head-strong warrior who doesn’t care about consequences to being a more level headed and caring leader.  Which is great, and it’s the transition that the character needs to make.  However, the problem comes in when the impetus for change feels insufficient.  The path that he takes is such a short one that, as an audience member, I don’t feel like I’ve journeyed it with him.  And this is a problem with a lot of super hero movies, the films have to try extra hard to make the audience identify with a character so much different than they are.  It’s why Superman never really works on the screen, because he can’t be made as compelling as an audience wants.  And it’s part of what happens for Thor.  There’s nothing about the transition he makes that’s compelling, because it all has to be done so quickly because the movie has to fit in all the required elements as well.

Ah, the required elements.  It felt like no one had their heart in the necessary “I’ll join The Avengers” scene that got tacked into the movie, as Thor walks up to a guy who had spent a good part of the movie holding him hostage and tormenting him and saying what amounted to, “hey, if you guys are forming some super hero team that I would have no way of knowing about count me in!”  I could almost hear Kenneth Branagh gritting his teeth through the filming of that.

In the end the movie simply suffers.  It suffers from telling not showing.  It suffers from poorly laid out character growth.  It suffers from being filmed as an obligation towards The Avengers.  It’s fun to watch, certainly.  But it doesn’t really hold up in any way, and will probably go down as the weak link in the build-up to next year’s The Avengers, barring some complete collapse on the part of Captain America.

, , ,

No Comments

$2000 Grand Prize Short Story Contest!

Did that get your attention? i09, one of the blogs that are part of Gawker Media, is running a contest for stories about environmental disasters. Grand prize? $2000! Here’s a link. And here’s some info from that page:

Your story should deal meaningfully and plausibly with some aspect of environmental disaster. There are no limits on the kind of disaster you explore. It could be an exploding star, a plague, tachyon pollution, nanotech diseases, climate change, or something else. What’s important is that your story deal with causes and consequences. How did the disaster happen, who will benefit from it, how will people (or other creatures) respond to it? We don’t want morality tales or after school specials here – just good stories that deal realistically with the subject matter.

Deadline is December 11, and the target length is 3000-5000 words. I got this from the SWFA twitter feed, so it’s being well advertised, should be a nice competitive contest, especially at well above pro-rates for the winner.

No Comments

Capclave Prep

Doing the final preps for Capclave 2010, and I’m excited about going.  As seen in my Week of Action post (and editing that almost made me forget to post this) I’m hoping to go there with the first three chapters of Capsule cleaned up a little.  Do I expect someone to ask for them?  No.  Do I want to be ready in the off chance someone does?  Hell yeah.  Now, I did have an initial plan to have the first three chapters available on a thumb drive “what, you’d like to read them, well I just happen to have them here…”  However (1) that struck me as a little smarmy, (2) it struck me that no one was going to say “I’ll read your first three chapters but only if you can give me them RIGHT NOW!” and (3) I’d kinda like to do one more quick editing pass if someone does ask for them.

What I will be traveling with are cards I’ve printed up with a small ad for Rust, including a pointer over to Smashwords and a short-term coupon.  That’s part of what’s great about Smashwords, it’s nice to be able to offer an exclusive Capclave price.  Cause people like things when they’re cheaper.  Suggestion: Avery #8869.  They’re “print to the edge” cards, with “clean edges”.  What that means is each card is set off from every other card, so you can make your graphic a little large than the card to make sure it fills as thoroughly as possible.  And the clean edges really do pop out as advertised and don’t look like they got torn out of a perforated sheet.  Add in a color printer and I think they really look sharp.

I’m happy with the cards, and I’m looking forward to going.

This post cross-posted with Unleaded – Fuel for Writers

,

No Comments

Switch to our mobile site